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Thursday, 22 September 2011

Georgia On My Mind

This week I have Horror on my mind.

My post was in fact going to be about writing Horror scripts, the different types of Horror movies and the different “monsters”. In trying to figure out a story, my husband Taro Russell told me to think of what scares me the most. After some thought, I concluded that people do. To me, my biggest fear is that of what is concrete. Most horror stories I hear or read don’t involve aliens, beasts, the supernatural; it involves a monster in the shape and form of another person.

This has been re-enforced this morning when I woke up to find that the State of Georgia, in the US, supported by the Supreme Court, has executed a man, Troy Davis, despite the lax evidence against his supposed crime.

Watching my children growing up, I fear the day when I’ll have to let go, allow them their independence, to walk along the streets alone. Stories of people being abducted, innocents being killed daily, victims of a lost bullet, a psycho on a joyride; victims of abuse, of despair, evil. The cities have become a scary place to live in and we live our lives never knowing if this is the day we’ll be the next victims. But all this has always been part of life in the big cities, sad as it may be.

But when a government takes it into its own hands to promote justice, and by doing so end the life of another man, any sense of safety seizes to exist. When those sworn to protect you against evil become the ones to fear, who will we turn to for justice? To me, Troy Davis was just a man I heard of for the first time last night when the world called for mercy; to others, he was a son, a brother, a friend. Today we mourn; not just the loss of a citizen, but the loss of human rights.

That to me is the scariest of all horrors.

Friday, 16 September 2011

Competition Time of Year

Wednesday was a good day. Sitting in my sons’ room before 5am my mind started to float between dream and consciousness. That’s when the idea came.

By 6 a.m. I was ready to write and the thought of having to wait was killing me.

At 8 a.m. I could wait no longer. I left the kids playing with their dad and went to have a “shower”. As I sat in the bedroom, not taking a shower, I wrote. Thankfully, for my husband and the kids, it was a one-page script.

I have now typed it up and re-written.

This is my entry for a competition for the upcoming London Screenwriters’ Festival.

It is just one of many writing opportunities that I have come across in the last couple of weeks, so I thought I’d list a few here:












Deadline: September 30th












Deadline: October 4th









Deadline: October 3rd










Deadline: Early Bird September 26th / Final Entry October 6th








Deadline: Early Bird January 25th/ Final Entry January 31st

















Deadline: November 1st


If you know of any other current opportunities, please leave a note in the comment section and I'll add it to the list.

Saturday, 27 August 2011

Two to Watch - Screenwriting Documentaries

In the past year I have watched two fantastic documentaries on Screenwriting and wanted to share them with every screenwriter out there.

The first one, is Tales from the Script. This is an account of struggles and successes from a variety of Produced writers, including some very big names. If you need further convincing, here is a trailer:






The second is Dreams on Spec. The documentary follows three screenwriters as they try to break into the industry. It is available for free and you can watch it right now.


                                               Watch more free documentaries


I hope you enjoy these as much as I did. If there are others you have watched/ heard of, please leave the details in the comment below.

Thursday, 18 August 2011

New Distractions

I’ve done it again! I have found a new distraction, a new project to immerse myself into and spend hours thinking about rather than going to bed or interacting with those around me. Wait! Make that two!



Scriptchat
The first is #Scriptchat, an online weekly gathering of scriptwriters, from beginners to seasoned writers, who share their thoughts and experiences. The chat takes place on Twitter every Sunday night for an hour. I joined it just over a year ago and it’s something I always look forward to: an hour chatting to people who like me, love to torture themselves. OK, that’s just me then. As of this coming Sunday I will be one of the new EURO co-moderators of scriptchat, in conjunction with my writing partner and husband Taro. We will be joining Alli Parker and have the honour of replacing the Euro scriptchat founder Mina Zaher. So if you already follow #scriptchat and everything suddenly goes weird and incomprehensible, that’s why.
Although if you're in the USA you need not worry as it's moderated by a great team.




HitRECord
The second is HitRECord. This is a collaborative project set up by Joseph Gordon-Levitt, who likes to refer to himself as Regular Joe. HitRECord is in some ways a production company, but it’s a lot more than that, it’s a place to let your imagination run free, like a big brainstorm room where you contribute with ideas and these are picked up and merged with other thoughts and bounced back and picked up again and remixed once again and so forth. So just a simple image or a couple of words could become a symphony. This is perfect for anyone who like me has too many thoughts and ideas roaming around with no real home, and definitely for those who are happy to share and collaborate.


While Scriptchat is extra work, it’s very relevant to my writing. It’s the very important networking side, getting to know people with similar interests and also learning so much about this craft in a fun and interactive way. We all share and are willing to help selflessly.
HitRECord will hopefully not take up too much time either as to me it will be a place to share those extra curricular thoughts, doodles, videos and photos that are already part of my daily life.

Fear not though, I have still been writing my scripts. I have realised that I can’t write every time I have a spare minute as my brain isn’t always in the right mood. Yes, I have a moody brain. I can still fit in the above activities when my spare time is too short to get into writing mode, or I am too tired to focused on anything other than doodling or tweeting.

Everything in moderation ;-)

Friday, 5 August 2011

I'll Write Tomorrow, and that's OK

As writers, we love nothing more than to, well, write. Just sit down and let our imagination run wild getting all those thoughts and conversations that we have between our characters in our mind on to paper. As playwright Edward Albee said “A writer is a controlled schizophrenic”. In fact, one of my favourite movies is Girl, Interrupted. The protagonist is a writer who doesn’t conform, and because she is different, she is logically insane and needs to be committed.

We also have to realise though that writing isn’t everything and that we have other needs and responsibilities; and I’m not just talking about the bills that need paying, but mostly about the real characters, not the ones in our minds, but the ones in our lives. They too need love and attention.

Remember when I wrote a script in a month for Scriptfrenzy? Somehow then I managed to juggle a very busy life with writing, and for that month it worked out better than planned, but life isn’t always straight forward and sometimes routine just won’t cut it.

I concluded that if I persisted on writing this week, I would eventually set my house on fire. Fact! Twice in the space of one week I’ve added oil to a pot and left it on the fire for 2secs while checking on the kids. A whole five minutes later I’d either remember or smell it and have to rescue the burnt pot and set it aside knowing that I had been lucky that nothing worse happened. I’ve just done too many silly mistakes this week, things I would normally never do. I have been very distracted and it is as simple as I haven’t had enough sleep.

It’s beautiful outside, but it’s almost too hot, it makes one slow and tired and brain dead. Sun is lethal! Besides that, my children do not like sleeping and at any moment between 4-6am they are wide-awake and ready for the day. By 9am we just need to get out of the house. So this week there’s been splashing, walking, boat rides, scooting, ball kicking, painting, drawing, cleaning, feeding, fighting, crying, watching, splashing, cleaning, reading, playing, laughing. When all calms down and there’s finally sleeping, I sit down and try to write, or end up reading. So when does my brain rest? I suppose it hasn’t and it’s the reason I can’t focus on simple things.

I have finally accepted that this is the only writing happening this week. I’m taking a little coffee break whilst Wall-E entertains my eldest. The princess castle cake I’m making for my niece patiently waits for me to mold it into a castle rather than the big blob it is right now (I took so long to post this the cake is almost ready).


Princess Castle Cake - almost done

The pressure to write is one I have imposed upon myself and have now declared that it will have to wait until Monday rather than trying to fit in around the busy weekend.
So there you go, tomorrow I’ll write, today I’m going to sleep – and that is absolutely fine!

Wait a minute, I hear cries, nevermind sleep for now.

Wednesday, 20 July 2011

I'm Writing it My Way

Everyone is an expert. Really. The moment you announce you’re a writer, for example, you’ll be recommended several must read books, you will be introduced to many different writing blogs, and everyone will have an opinion on how best to write a screenplay, even those who have yet to write one. You’ll end up confused, with a lot of conflicting information to sieve through. When it all gets a bit too much you’ll just slip away and form your own opinions of what style suits you best.

Photo by Taro Russell


Like me, you might decide there isn’t a right way or a wrong way, just your way and my way. My way of course, being the very complicated, long-winded way of doing things.

I did it my way.

I listened, I read and then I ignored it all. Well, I didn’t purposely ignore it all, I just didn’t understand why I needed so much preparation, I just wanted to write. I did not need a logline, an outline, a treatment or any preparation. The story was in my head, so why write it twice? Armed with a pen and paper, I sat down and wrote my first short. I put it aside and life happened. Ten years later, I re-read it and then I tore it. It was that bad. The story was still in my head but what I read on paper made absolutely no sense. There were so many flashbacks, and the story was so non-linear, I simply could not understand any of it. Thinking back, I think I was trying to make it Pulp Fiction-esque. Big Mistake. The dialogue wasn’t bad though; I’ll give myself that.

A year after that revealing moment, and a few scripts later, it’s incredible to look back and see how much I’ve changed my way and my beliefs. It’s gone from an all over the place unstructured mess to a more formulaic process in which I question the plot and characters in depth before jumping into the writing process. Although I have to admit, this really is a very recent development.

To err is human.

Going into anything for the first time we’re bound to get some things wrong, and it’s in an attempt to help prevent other writer’s from constantly going through the same mistakes, falling into the same traps, that there are so many experts out there. They all mean well, but who likes to be told what to do and how to do it? We are stubborn creatures, and learn best when we stumble and have to pick ourselves back up. I am of course generalising, when I say we, I just mean me – although, if it sounds like you too, then I mean we.

I’m sure that in a few years time I’ll be preaching to first timers about the rules of scriptwriting, and most of them will nod their head and then go learn for themselves. I’ve still got much to learn and one day will realise that I follow all the basic rules that I’ve steered away from, not for arrogance but ignorance – a need to learn for myself, whilst hopefully still remaining true to my voice, which I will have found by then. Repeat 100 times.

Had I maybe spent a little more time paying attention to those willing to share, rather than rushing into it, I would have a stronger selection of scripts to showcase my writing. As it stands though, I might just about have a couple.

It is all without regret though, as I am now more equipped and experienced to truly understand why certain aspects of the process, such as the preparation are so important. I am now happy that all the literature is out there, easier than ever to access.

In the words of Dr Seuss “The more that you read, the more things you will know. The more that you learn, the more places you’ll go.”

Thursday, 7 July 2011

Write from the Heart

"No tears in the writer, no tears in the reader. No surprise for the writer, no surprise for the reader."
Robert Frost



When you write with your heart, allowing all your emotions to run free into your characters, it will show. I am an emotional person, have always been, but for some reason I have never been the type to display my real feelings. I don't do hugs, cries and passionate kisses in public.

From the day I conceived my 1st born, my senses seemed heightened. Everything I felt became tenfold. When I experience fear, it is scarier than ever; when I experience worry, it has me on edge; when I experience love it is unconditional. What a gift, to be able to experience all these emotions with such intensity. Yet I still have trouble allowing them to roam free. It is in my nature to control them, to hide them away like a shameful secret.

Reading back what I've written, reading the life I've created for my characters I came to realise that they carry the same shield I do. Their emotions just lightly touch the surface of their being, not allowing them to fully embrace their passions, desires, fears. So while I am fully aware that I should be writing from my heart, opening my soul to my work, I think that in better understanding who I am and my own emotions, I will be able to better translate them to the character.




I have recently read the script to Thelma & Louise. From the start we understand why Thelma has to get away, also understanding how hard it is for her. Every step of the way we see her vulnerability, naïvety, but we also see her getting stronger, believing more in herself. Louise is almost the opposite; she is the strong one, the wise one and her defensive nature isn't quite clear at first. As the story unfolds though, she becomes more vulnerable as her mask starts to come off. That is in my humble opinion, why it's such a good story, the protagonists have such a strong emotional baggage. Neither of them is perfect, yet they are very likeable. Their fear of becoming trapped leads them to their own self-destruction, and the end is the only way to achieve the freedom they've been seeking for all along.

It is characters like Thelma & Louise that I aspire to write. Characters filled with flaws and compassion that makes them so real.

As an exercise to myself, I will attempt to re-create moments that have marked me throughout my life. I aim to write every emotion that I felt at key moments that have helped define me so far, from the little girl who was ashamed of being a foreigner, even in her own country, to the excitement and frustration of first loves, to the stress and confusion faced with in the job market.

Unfortunately, as is my nature, I am not yet ready to share those publicly, either out of shame or fear. Somethings should remain private, but my writing it out, accepting it, understanding those feelings. I'll be able to write stronger and more complex characters.

Just a thought.